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A Fine Romance: Hollywood/Broadway (The Magic. The Mahem. The Musicals.), by Darcie Denkert
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About the Author
From the time she was a little girl growing up in New York City, Darcie Denkert has been enamored with the musicals of Broadway and Hollywood. Although by her own admission she couldn't sing or dance a lick, her love of the theater and the magic of the movies refused to release their grip on her imagination. It was this passion that drove Denkert to become a prominent entertainment attorney, first as a New York theater and movie lawyer, then as the top legal and business affairs executive for the entertainment divisions of MGM, and its subsidiary United Artists, in Hollywood. She ultimately became president of the studio's Entertainment Business Group and MGM ON STAGE-a division she was instrumental in creating as a vehicle to adapt films from MGM's stunning motion-picture library to live stages on Broadway, in London's West End, and around the world. A Fine Romance, Denkert's first book, has been a three-year labor of love for her, reflecting her joy in and fascination with the history and artistry of Hollywood and the lore and lullabies of Broadway. She lives in Los Angeles with her husband, the well-known entertainment attorney Allen Susman, and their adopted Cavalier King Charles spaniel, Sunshine.
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Product details
Hardcover: 352 pages
Publisher: Billboard Books; First Edition edition (October 1, 2005)
Language: English
ISBN-10: 0823077748
ISBN-13: 978-0823077748
Product Dimensions:
10.2 x 1 x 12.5 inches
Shipping Weight: 5.4 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#3,072,566 in Books (See Top 100 in Books)
When you see the huge format of this book, you may tempted to think, "Wow! I didn't expect it to be this big! I'm not sure it's what I wanted. Lots of pictures, can I suppose the text is worth a careful reading?" DON'T BE FOOLED! After glancing through this book, maybe reading the introduction only, this book disappeared from my life for a time. Apparently it slipped into a drawer and wasn't seen again for a couple of years. It's possible the "Cleaning Fairy" got it; that can happen in our house, especially when guests are expected. Anyway, while downsizing our household in preparation for an eventual retirement-center life, this book re-appeared. "Do you want to keep this one," my wife said. "Let me read through the text tonight, and then I think I can let it go," I said. Oh, Boy! While spending a week of evenings reading though this fine book, I was repeatedly amazed at the depth and breadth of experience and research this book exhibits. It's an A+. Buy this book to read it--best done at a library table, because it's really BIG and HEAVY! The great pictures are gravy, compared to the meat and potatoes of the text. No single example of how the Broadway play influenced the movie--or the movie the play--can suffice. Time after time, era after era, title after title, this book tells the story of how the play, or the movie, or the remake; or the re-staging, or the adaptation, or the revival was conceived, written, produced, cast, and re-cast: Who wanted the part? Who got the part and why? Who was dropped from the Broadway cast for the movie? Who sang the overdubbing because the star couldn't sing that well? OK, one example (or counterexample): My Fair Lady. They said Rex Harrison was no singer. You've heard how he succeeded famously in the part of Henry Higgins by "talk-singing" the role, both on Broadway and in the movie. What you haven't heard until you've read this book is how the composer, Frederick Lowe (of the team of Lerner and Lowe) wrote the music (the melodies) to reflect Harrison's own (natural or theatrical) cadence while reading the book or the lyric aloud! This book cannot be donated to just any old thrift store; I've got to find a suitable library, in a school of film or musical theatre, to curate it properly. Darcie Denkert Rocks!
darcie denkert has done a fabulous job talking about the great shows of broadway and their translation to the screen. i love this book--the illustrations are insightful and the text is very well thought out. it should be a great addition to any college course on musicals.it is also a great thing to see a woman's voice come through on this subject that is dominated my many great writers such as ethan morrden and mark steyn.go, darcie!
You might expect that a work filled with such brilliant photography in the coffee-table sized format to be all fluff. Wrong, Ladies and Gentlemen. This work actually has something to say and does it in an intelligent fashion! Not for just anyone, but if you truly Love the American Musical it is a Must Have. Since I teach Musicals, both Broadway and Hollywood, this is a welcome reference work. Besides the photos are wonderful and many not seen elsewhere.
This is a marvellous book showing a history of Showbusiness on Broadway and the transition of shows to Hollywood and the movies.As a stage person myself I found it fascinating and very informative.I would recommend it to anyone with an interest in stage and movie production .Thank you.Mike.
Best book put together by a great lady, Darcie Denkert. Rose
Being an observer of plays and movies with a particular interest in musicals I've long been puzzled by the difficulty there seems to be with moving a musical from Broadway to Hollywood. Why does a smash hit like Gypsy, sometimes called 'The best damn musical ever,' basically flop on screen?Darcie Denkert is an expert on both Broadway and Hollywood. In this book she has carefully researched a series of the most famous musicals that were made into movies. Sometimes, like with Gypsy, the play simply doesn't translate into the big screen. The scene at the train station, for instance when Rose is shifting her attentions to Louise after June left in the play works well. The train station doesn't look like a train station, it looks like a set. The orchestra is visible, the song works. In the movie, at a real train station, you don't just burst into song. And the stars, great movie stars, just didn't fit.This is the kind of information that only an insider with a foot into each camp could get and then put into a book. Referring to Gypsy again, the author also tells us how the stories got written, who did what, how did the music get written, what did they do in the screenplay to adapt it?The book covers 6 big plays: My Fair Lady, West Side Story, Gypsy, The Sound of Music, Cabaret, and Chicago, and 8 smaller ones. This format gives all the space that is needed to completely tell the story. Gypsy, for instance gets 38 pages, and they're big pages. To we outsiders, not plugged into either Broadway or Hollywood, this is an absolutely fascinatin book.
Author Denkert does a good job describing how some Broadway musicals didn't translate well to film (i.e., "Gypsy"; "Hello, Dolly !"; "Mame"; et al) & why. She also tells why a film drama ("Sunset Blvd") didn't quite hack it as a subsequent Broadway musical many years later. Was surprised she didn't include "Guys and Dolls", but book is definitely worth checking out !
I couldn't agree more with the other two reviews. This is a marvelous book that any musical and/or movie musical fan will devour. And the design, layout and pics are all sensational. If only "A Chorus Line" had been included, the book would be perfect. (Maybe Denkert was precluded from writing about it for some reason.) In any event, this is a reader-friendly (not to mean dumb) coffee table book that won't break your wrists or the bank.
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