Ebook Girls Who Wore Black: Women Writing the Beat Generation
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Girls Who Wore Black: Women Writing the Beat Generation
Ebook Girls Who Wore Black: Women Writing the Beat Generation
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From Library Journal
This collection of scholarly essays builds on interest generated by two recent anthologies devoted to the writings of Beat women: Brenda Knight's Women of the Beat Generation and Richard Peabody's A Different Beat. Arguing that before these anthologies Beat women had been given short shrift, the editors have gathered together articles from a variety of critical perspectives that focus on the writings of Helen Adam, Diane di Prima, Joyce Johnson, Hettie Jones, Elise Cowen, Brenda Frazer, Joanne Kyger, and Ann Waldman. Johnson (English and American studies, Tufts Univ.) and Grace (English, Coll. of Wooster) contend that despite "their de facto exclusion from discourses of Beat art and creativity, women were integral to Beat's development and indispensable to expressing its signature disdain of and challenge to establishment culture and conventions." A concluding essay by Tim Hunt (Kerouac's Crooked Road) highlights and ties together significant ideas expressed in individual essays. The questions presented here are of interest not just in relation to Beat literature but in the broader context of women's and cultural studies as well. While the essays presented are somewhat uneven, with some conclusions being more convincing than others (as in most such collections), this book will be useful for scholars and graduate students and will provide grist, no doubt, for the term paper mill. William Gargan, Brooklyn Coll. Lib., CUNY Copyright 2002 Reed Business Information, Inc.
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Review
"Recovers neglected women writers who deserve more attention; an important contribution to literary criticism and history." -- Jennie Skerl, author of A Tawdry Place of Salvation: The Art of Jane Bowles"The value of this book is so clear one must wonder why it wasn't available much earlier." -- Linda Wagner-Martin, University of North Carolina, Chapel Hill
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Product details
Paperback: 318 pages
Publisher: Rutgers University Press; None ed. edition (June 11, 2002)
Language: English
ISBN-10: 0813530652
ISBN-13: 978-0813530659
Product Dimensions:
6 x 0.7 x 9 inches
Shipping Weight: 14.4 ounces (View shipping rates and policies)
Average Customer Review:
3.6 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#1,861,822 in Books (See Top 100 in Books)
Excellent book! Fascinating voyage into the Beat Generation scene, with excellent interviews with bohemian women writers and artists. The book covers new ground in this subject, with fresh angles into extant scholarship, and I found it to be incredibly interesting and well-written.
This book has a lot of typographic errors, like it was a bad OCR job. I expected a professionally formatted eBook at this price.
in GIRLS WHO WORE BLACK Johnson and Grace provide an interesting taxonomy of "who's beat" that almost makes sense. The Knight and Peabody books were, of course, groundbreaking collections but their definitions of who was Beat and who wasn't were so different that a reader could wind up arguing that Simone De Beauvoir was the quintessential Beat woman author. In an illuminating intrroductory essay, the editors aregue that some of this confusion has been caused by the fact that there are actually three generations of Beat women writers. The first generation (chronologically) are those born around the time of William Burroughs, and who thus anticipate the Beate writing sof the 1940s and 1950s or who were writing contemporaneously to the first work of the three men most definitely tied into the Beats--Burroughs, Jack Kerouac, Allen Ginsberg. Women of the first generation thus include Jane Bowles and Helen Adam. A second generation grew up, the same age as the younger Beats (such as Ginsberg, Lew Welch, McClure, Corso). These women include Lenore Kandel (b. 1932), the late Elise Cowen (1933-1962) and Joanne Kyger (b. 1934). Finally there are two women Beat writers of a following generation--the age of Bon Dylan. These are Anne Waldman and Janine Pommy Vega. This last generation seems oddly underpopulated, as though Waldman and Pommy Vega were playing some kind of version of "I Am Legend."Kristin Prevallet, Tim Hunt, Barrett Watten, Tony Trigilio and Linda Russo have written first class essays for this book. It has a very high proportion of interesting work in it. Wouldn't you know it, the San Francisco Public Library does not own a copy of this book. You will have to buy it yourself, from Amazon or elsewhere.
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