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Hokusai's Mount Fuji: The Complete Views in Color, by Jocelyn Bouquillard
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About the Author
Jocelyn Bouquillard is curator at the Bibliothèque Nationale de France in the Photography and Prints department. He is an expert in Japanese prints and his specialty is in landscape prints.
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Product details
Hardcover: 120 pages
Publisher: Harry N. Abrams; First Ediiton edition (June 1, 2007)
Language: English
ISBN-10: 0810993406
ISBN-13: 978-0810993402
Product Dimensions:
8.5 x 0.8 x 11 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
19 customer reviews
Amazon Best Sellers Rank:
#83,979 in Books (See Top 100 in Books)
Katsushika Hokusai (1760-1849) was an incredibly productive and versatile artist. Over a 70 year career he worked across multiple genres and media. The world knows him mainly for his prints but he was also a painter. He illustrated books, designed cutout dioramas and toys, produced the contemporary equivalent of modern greeting cards, sketched some 4000 instructional designs for his pupils and other artists, produced massive paintings presumably as publicity stunts, and even sketched designs for advertising household products like smoking pipes and combs.Hokusai’s 36 Views of Mt. Fuji was published at the beginning of the 1830s, and was the first major, financially successful Japanese landscape print series in the history of ukiyo-e. While there certainly were landscape-focused prints and series in the decades before this one, none are familiar today except to scholars.The 36 Views was so successful out the gate that the publisher ultimately decided to add 10 designs. So the title says 36 but in fact the complete set includes 46 designs.Jocelyn Bouquillard is curator at the French National Library in the photography and prints department, and he specializes in Japanese landscape prints. His book is a nice, compact way to own a complete photo set of these prints. Each is accompanied by brief explanatory text, and some photos are blown up for viewing detail. Typical art book glossy paper stock is not used here but that helps keeps the price reasonably low.Of critical importance to any volume on this subject is the quality of prints selected for the plates. Here, three 36 Views collections owned by the French National Library comprise the original source material. The earliest of the collections was donated to the Library in 1888. Judging by the richness of color and generally fine condition of the prints given their age, this is a book worth owning.I’ve seen some criticism here which I think is misinformed. Most original or early edition 19th century prints have issues of one kind or another. At the time, knowledge of how to care for works of art on paper was nothing like it is today. So some prints reproduced in this book have issues, but they are not of the kind that would deter a serious, knowledgeable collector. Fold lines down the center or occasional smudges pale in comparison to the quality of original carving and printing which are still discernible._______________________________Mt. Fuji embodies profound spirituality under the ancient Shinto belief that everything has a divine essence. This applies not only to people, but to ancestors - along with animals, inanimate objects, and everything natural - including trees, thunderstorms, and mountains. As the largest mountain in Japan, Fuji carries a particularly deep spiritual significance, easily attracting a devout being like Hokusai.Hokusai’s 36 Views are sometimes compared to Monet’s Haystacks (and the Rouen Cathedral canvases). Working 60 years after Hokusai began the 36 Views, Monet produced 25 paintings which explore haystacks at different times of day in different light, from different angles, and in different weather - exactly what Hokusai does in his series.Is there a connection? We know the Impressionists were in awe of Japanese prints. We also know that Monet had a sizable collection, with a substantial helping of Hokusai. Some of Monet’s most admired work was directly inspired by Japonisme, the love affair with Japanese art and culture which took Europe and America by storm in the later 19th century.
This book represents a somewhat unusual presentation of the set of hokusai prints of Mount Fuji. Unusual to this reader, for two reasons. First, in most books that reproduce these and other japanese prints each print is presented in the same size/page format, with a white border. In this case, the prints are in some cases presented with white border, some are bled to the paper edge top bottom and sides, and others are presented as a band across the page with white above and below and the side margin bled to the edge. This format does help to focus on the content of the images which has some benefits. On the other hand, it is not necessarily clear that the entirety of every print is completely reproduced. The second unusual element is that the originals from which these prints are taken, appear to have more flaws or be less clear prints than would be expected. Many have indications of damage such as a crease or faint line vertically through the middle which I have not seen in other books of reproductions of such prints. The prints also are in many cases quite blurred - such as print number 18, which is shown in an enlarged detail on pages 54/55. Other prints are of excellent quality,and well reproduced - such as print 32. Overal, this set of prints compares quite poorly with other books of Japanese prints such as Sebastian Izzards "Sixy-nine stations of the Kisokaido" (Hiroshige/Eisen)
Although the complete 'views' series, this should not be your 1st or 2nd Hokusai book. The prints used for the Phaidon book are vastly superior (even if the artistic choices in terms of size are suspect). This book is limited to French collections, and some of the prints they use are gosh awful (either that or the French reproduction is incompetent). I would rate it 1 star except that a few of the prints here are as good as, or better than, I have seen elsewhere.
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