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Review
"[This book] takes on the interesting subject of how the African American culture has made a difference to art in America--what this difference is and how it is manifest. Gottschild's subject is the saturation of America with the African....Gottschild focuses on dance but includes the minstrel stage, jazz, vaudeville, Gangsta Rap, the 19th-century 'Hottentot Venus' (the pejoratively named African woman who was brought to England and displayed as a freak), performance criticism, and Native American powwow. A freewheeling writer, Gottschild often segues into a general discussion of racism and its impact on the performing arts in pointing out the locations of African influence in American performance....[a] welcome addition to a burgeoning literature on African American performance. Recommended for all academic collections."-Choice"ÃThis book¨ takes on the interesting subject of how the African American culture has made a difference to art in America--what this difference is and how it is manifest. Gottschild's subject is the saturation of America with the African....Gottschild focuses on dance but includes the minstrel stage, jazz, vaudeville, Gangsta Rap, the 19th-century 'Hottentot Venus' (the pejoratively named African woman who was brought to England and displayed as a freak), performance criticism, and Native American powwow. A freewheeling writer, Gottschild often segues into a general discussion of racism and its impact on the performing arts in pointing out the locations of African influence in American performance....Ãa¨ welcome addition to a burgeoning literature on African American performance. Recommended for all academic collections."-Choice?[This book] takes on the interesting subject of how the African American culture has made a difference to art in America--what this difference is and how it is manifest. Gottschild's subject is the saturation of America with the African....Gottschild focuses on dance but includes the minstrel stage, jazz, vaudeville, Gangsta Rap, the 19th-century 'Hottentot Venus' (the pejoratively named African woman who was brought to England and displayed as a freak), performance criticism, and Native American powwow. A freewheeling writer, Gottschild often segues into a general discussion of racism and its impact on the performing arts in pointing out the locations of African influence in American performance....[a] welcome addition to a burgeoning literature on African American performance. Recommended for all academic collections.?-Choice"Written with dynamism, passion, and perception on a subject of central importance to all of us, this powerful book makes us ponder issues we took for granted. It deserves a broad readership."- Lawrence W. Levine, Margaret Byrne Professor of History, Emeritus University of California, Berkeley"Brenda Dixon Gottschild makes a powerful case for an African presence in modern American ballet and in dance generally, and...brings the black aesthetic, in theoretical terms, ever nearer one's reach. [This text is] a dance of the intellect."-Sterling Stuckey, Presidential Chair Professor of History and Religious Studies University of California, Riverside"Dr. Dixon Gottschild's voice is convincing because of her eclectic documentation and it is touching as well because of the human experiences the reader is drawn into within the related responses of her students, her colleagues, herself, and her antagonists. She is always clear about specific objectives, leaving tempting tangents, yet incorporating the thinking of scholars and learned others in multiple disciplines--definitely in a creole mode that is rich, colorful, and not easily discounted."- Yvonne Daniel, Associate Professor of Dance Anthropology Smith College and the Five College Dance Consortium
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About the Author
BRENDA DIXON GOTTSCHILD is Professor Emerita of Dance at Temple University. Formerly a professional dancer and actress, she is the Philadelphia critic for Dancemagazine and has published articles in The Drama Review, Dance Research Journal, Design for Arts in Education, and The Black American Literature Forum. She is coauthor of the third and most recent edition of The History of Dance in Art and Education.
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Product details
Series: Contributions in Afro-American & African Studies
Paperback: 224 pages
Publisher: Praeger (June 30, 1998)
Language: English
ISBN-10: 027596373X
ISBN-13: 978-0275963736
Product Dimensions:
6 x 0.5 x 9 inches
Shipping Weight: 11.4 ounces (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#263,751 in Books (See Top 100 in Books)
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